Just the usual nest of brain-vipers...

The mood I’m in today is one of barely-suppressed anxiety, guilt, and disappointment—multiple, ever-fresh springs within my psyche in which swim the usual brain-vipers.

I just returned from a sparsely-attended jazz jam at the Huntsville Community Drumline building (jams are scheduled for four Sundays a month now) without getting what I apparently needed, and had the (perhaps erroneous?) impression that it hadn’t mattered at all that I was there. I do understand that I’m NOTHING in the great scheme of jazzy things, but I’d wanted more “recognition” than I got. I probably am incapable of conjuring an objective estimation of myself. My initial pleasure in a well-done harmonica solo (on “Autumn Leaves,” of all things) was not validated by anyone but Kirby. She’s my friend, and an incorrigible encourager and booster of amateurs, so I’m not sure I believe her. We did have a guest pianist, Tim Springer, who was not as verbal or versatile as Pete Hamilton. Now I’m pondering getting Pete some sort of gift, but I cannot imagine what. He’s pompous, yes, but he’s also absolutely foundational for these events and so accommodating of all of us.

My guilt bubbles up mostly from the situation with Wil. I admit I am painfully ambivalent about his “trans” appearance. If he had stayed the nerdly, awkward, but normal-looking man that he used to be, I’d be much more inclined to help him out socially. He dresses “femme” now, but makes no effort to BE womanly, and has not insisted on “she/her.” There is no difference in personality whatsoever. I fear others’ opinion of him, others’ disapproval (of which I have no proof) will spill onto me. Two weeks ago at the jazz jam at the Valley Conservatory, his dress stuck to his underpants when he got out of his car, exposing his pale, wrinkled legs and flat ass. Renee (the school owner) happened to be outside and pointed it out. I quickly swiped down Wil’s dress while Wil himself seemed oblivious of what was happening. I think Renee found it funny, and I’m sure she would never say Wil cannot attend the jam! It’s a public event! But what is my responsibility here?! When I send Wil info about possible things for him to do, nothing happens; he doesn’t leave his house. Then he calls me to ask what’s going on. He depends on me, but he’s a grown person my age. What the fuck?! Does he think we’re best girlfriends now?! Clearly, I am a horrible “girlfriend” for not caring enough about him to vociferously include him in every damn thing I do.

Lately, Russell has been hinting that he views me as narcissistic. I try to examine my speech and behavior, and yes, I do talk a lot about myself, think a lot about myself, and wonder what OTHERS think of me. It’s all true. If I’m not getting positive vibes, then I immediately think I’m hated. I have to talk myself out of this perception, which takes a few seconds, but still, the thought, having been in my brain for a moment, leaves a sticky residue. Am I liked? Or are people just pretending? Does Kirby, in reality, think I’m a jerk with a few redeeming qualities? Have I failed Russell in this marriage by not paying enough attention to him or asking him enough questions?

He always appreciates it when I do ask questions (but then I let myself in for 20 minutes' discourse on sleight-of-hand or the history of certain magic posters). He never has to ask ME questions because I just go ahead and talk about myself and my interests. I wish both of us knew better questions. I feel that we still don’t know each other well, though we do have much in common and have learned to get along (I suppose). Of course some things about me he probably wouldn’t want to know. And it seems, from what he says, that the “world” views him as the saintly, helpful one—and views me as the selfish, self-absorbed, disruptive one. But then there’s the matter of his behaving one way in his charitable activities and another at home, where he lets boxes pile up and has no regard for the condition of the house we both live in.

Brother Brian claims to have had a job offer from Publix, but has not said if he’ll take it. He still needs a photo I.D. We get no progress reports, only hints. It’s wearying. Sister Felicia provoked me this morning during our Sibling Zoom meeting; I flashed her the finger, then lied and said I didn’t. She definitely has less respect for me than she used to, or maybe it’s that she no longer disguises the fact that she never really thought much of me in the first place. And now I’m scheduled to “analyze” myself in terms of “archetypes” at this “workshop” that Allana from Debbie’s “spirituality” group is giving for the two of us (me and Debbie) tomorrow. Fuck that, basically. Although I’m happy to talk about myself, of course, I don’t like the format. Allana is pretty smart, but I will probably try to derail her “instructions” anyway. That’s what I do. (All those quotation marks above? I meant every one of them!)

My biggest disappointment, I hate to say, is that Don Henry, Grammy-winning co-songwriter, has not replied to my email yet again. I wish he’d just explain UP FRONT that he doesn’t do that sort of thing (comment on people’s songs) without payment. 

I’m a fool, I suppose, if I continue to think I’m worth communicating with just because I can write a decent email, share a fun song, and had a songwriting workshop with him twice. I’m nobody to him. I ran into him because he was in town to play a few songs (all of which I’d heard before) at Jim Parker’s Songwriters’ Series, which Russell and I spent three freezing hours attending in Mars Music Hall. The other two songwriters (old men also) were quite amusing. Jim Parker, who usually deigns to at least make a snide-ish remark to me in other situations, did not notice me at all. We sat with Jani and Greg, and also Wayne and Deb from Harmony Sound. I suppose it was Wayne and Deb’s table; maybe I should thank them in person tomorrow, just in case they hate me too.

Is it a good sign that I am thinking so hard about other people’s opinions of me? Ha, ha. At least I am not isolated. In fact, there is altogether too much People Stuff going on. Recently agreeing to work on a few songs with Ted Alexander isn’t helping. My energy level is down. Lately I look forward WAY TOO MUCH to lying in bed and reading and then falling asleep, and sometimes I don’t want to wake up. But, being the Dutiful One (that will be one of my “archetypes”),

I do wake up each morning (around 10:30) and then actually GET UP, so as to perform my self-inflicted exercise routine and at least consider buying some meat with which to make dinner. And I ain’t gonna skip the open mics. I have to prove myself if it kills me. (Hope that’s not a prediction.) Also, I miss my cat. 

2026 and/or bust...

Among the conceptual scavengers rummaging around in my brain lately is the idea that my life is rushing to a mostly-unsatisfactory close. A few months ago, I was intermittently haunted by the number 76, which is the age I’ll be—not this April, but next—in 2026. I toyed with the notion that it might be my last year on earth, although I don’t know why. I have felt something approximating this for a while now. Perhaps once I stopped being able to have a few beers, relax, and provide my consciousness with a sense of ease rather than the almost constant worry it soberly hosts nowadays, it made sense to believe that the end was likely near. Both parents having lived past 90 doesn’t guarantee anything. Every day it crosses my mind that I’d better make that last will and testament.

Since the election there has been plenty of non-personal stuff to worry about. Any aspect of that could easily be the cause of my vaguely anticipated demise—from a carelessly started nuclear war, to climate-change tornadoes and fires, to inflation making healthy food unaffordable, to the yanking away of Medicare and Social Security benefits. I’m already anticipating having to work some job, give up my songwriting and other “hobbies” due to the resulting time constraints. That will lead lead to stress and medical issues that I’ll find no help for. Sister Felicia would say I’m paranoid. I say, be prepared for the worst.

I do not fail to notice that my concerns are, for the most part, personal. I do not share my friend Joy’s emotional identification with Mother Earth. I know my empathy for others exists, because I feel it looming when I think about Gaza, or the homeless, or those who’ve recently been dismissed from their government jobs for no good reason. It’s painful to indulge those feelings for more than a minute or two, but they are always in the background.

And I seem to have lost the will to acknowledge, let alone pursue, invisible connections to the “divine.” Yes, it’s true I attend a monthly “spirituality” discussion with some women friends of my fellow jazz enthusiast Debbie Preece (Debbie wants to spread the word of Reverend Moon but is very open to others’ ideas and conducts the meeting with a light hand). Four meetings so far—Saturday mid-day events—and I’ve only just now learned these ladies’ names: Vanessa, Alana, Dixie, Jodie. They know it’s going to be my birthday soon, and will be bringing me an apple pie. They might be surprised to find out I’m 75. I’ve been strangely tolerant while listening to their talk of Jesus and God, or cosmic guidance via serendipity and coincidence. My turn always comes around, and I talk about other things, and they seem to enjoy it. I’m funny, they say.

Oh, these different clubs I’m in! Sometimes I think I’m losing my grip! Jazz jams, open mics, Monkeyspeak, the women’s group, a writers' group, exercise at the gym, and the domestic scene. Not to mention ukulele lessons which are not connected to anything. So many casual promises I fail to follow through on. So many texts on my phone that I don’t want to deal with. At my age, it takes willpower to head out into the world of an evening. It takes the very real threat of screwing up in public to motivate the practicing of songs. And it takes some kind of faith to be politically active, which I am not, although I did go to one organizational meeting of “Indivisible.” I do not think anything can stop the autocratic juggernaut, but I don’t say that out loud. https://indivisible.org/

I seem to become very angry for a few days every month, as if I were still having PMS. I know I’m constantly (semi-secretly) angry toward Brother Brian, simply because he’s still here. And now I’m constantly angry toward Open-Mic Eric because I thought I’d made a music friend, and he turned out to be a Trumper. Once in a while I let this anger out, and then feel guilty. It’s my life’s theme, apparently. The inability to really enjoy myself is another theme.

Songs keep coming, thank goodness. If I weren’t making something I’d feel useless. It doesn’t matter a whole lot that no one pays much attention. I actually like almost every song I’ve written, and some of the newer ones I’m very delighted with. https://drive.google.com/file/d/1HcAl_VYF-eUQwwY9IC6eZK3NdWMe00An/view?usp=sharing 

Sometimes my delight is marred by obligation; I can’t forget about all the duties I’m neglecting if I am at home and those things are in my face. Escape for more than an hour or two is not possible.

The future is now, an extended now, day after day. I miss my dog Maggie. My feet are numb and compromise my balance. My hearing and voice are not what they once were. But my marriage is a 40-year best-friendship with benefits, and I guess that’s good. When I think about it, in the long-ago past when such things were said to be possible, I never really experienced a romance where both people were equally mesmerized for any length of time. I suppose this one comes closest. Maybe I’m lucky.

A Mockery of Earworms

Trapped in my individual brain with bits and pieces of my own songs appearing now and then and refusing to leave me alone (like the flies in our kitchen), I try to fill my consciousness with better stuff. This includes Early Music, samples of which I enjoyed at a recent concert in the Church of the Nativity; and portions of Hannah Arendt’s “The Human Condition,” which I confess I do not understand. That is, I comprehend what she’s saying, logically, but I don’t understand why she’s saying it. What is the ultimate purpose of going over and over the history of society’s definitions of “work” vs. “labor,” and of “public” vs. “private”? I become impatient. 

It’s also depressing to be informed that in ancient times (at least in Greece and Rome) women and slaves were equivalent, serving “the body” and not higher purposes), and a life lived in the “private” space of the home might as well not have been a life at all. But in modern times, this situation has reversed itself somehow, Arendt claims. Though I feel obligated to finish Arendt’s classic, I prefer my forays into William James’s “Talks to Teachers” (1892), which explores the psychology of children and the learning process. He was a friendly writer/lecturer. Wish I’d been there.

But no one I know is interested in discussing any of this, and my posts on Facebook that mention my reading are not “popular,” but I’ve not been “popular” anyway, except amongst certain women my age. It makes me want to take a philosophy class just to have company in my not-so-serious intellectual pursuits. It also makes me impatient when I encounter annoying New-Agey or religion-tinged or psycho-babbly memes posted by “friends” who think they are being deep and wise but are merely spouting cliches, usually with grammatical errors, misspellings and misattributions. Some of what they do is meant to soothe, and I do not condemn that, but it has been decades since my response would be, “Yeah! That’s right! I never thought of that! Thanks!” My response now is anger, whether or not the meme-monger is on “my side” politically. And I know that anger is wrong and could be damaging (to me, mostly), so I step back and quell it. 

The constant self-promotion of some of my music-scene acquaintances is also becoming profoundly irritating. Perhaps the answer is to avoid Facebook. Would Arendt consider Facebook “public” or “private”? Is being active on Facebook actually being part of the world or not? I am pretty sure social media is not entirely illusory, since in many cases it interacts with the “real” world. After all, those selfies and videos must have a physical location—isn’t that the point? To announce “Here I am, or was, and this is what I looked like in that environment, and you can see all the other people that saw me, too!” I simply cannot bring myself to produce anything like that, even during the few times I make an appearance on the “real” world local music scene. 

I think I had a decided aversion to solo public performances from the start (“House of the Rising Sun” at summer camp). I recall being fine with accompanying Drew on harmonica, or singing with Larry and Nick during the short duration of our trio, “Woodsmoke” in 1970-71. These performances happened at tiny coffeehouses where alcohol was not served; there was an intimacy, and as far as I can recall, no amplification. And I was helping others with their performances, not out for myself, or, god forbid, asking others to help with MY performances! I enjoy singing, but having to accompany myself has not been easy, and having to push myself forward alone does not feel natural; it almost feels “sinful.” During the ‘90s, with “The Lonesome Lovers,” it was a no-brainer. I had three, sometimes more, other musicians expecting my participation! I had an excuse to be there. And I could rely on them for accompaniment when I sang or played harmonica or elementary-level lead guitar. At the time, I dared to think I was “good.” There was no social media to worry about then. 

So, the problem is, I’m old. Old, old, old. At 74, I keep thinking I’m 76, because it feels like it. Or maybe my spidey-sense is telling me the world’s going to end in two years (or I myself will end in two years despite my parents living to ages 90 and 92). Physical and social efforts take a lot out of me these days. I can’t accomplish more than one outing per day (though grocery shopping doesn’t really count) and would prefer days with none required. But something in me (the desire to exist in public space, a la Greek and Roman standards?) makes me continue to try to have a presence “out there.” Though I know my age is a handicap; no one wants to contribute to a soon-to-be-defunct cause. Perhaps that’s why no one wants to commit to putting down a vocal track on any of my songs for the “musical.” I still dare to think the songs are pretty “good.” 

I am not-so-secretly (in my private self-awareness, anyway) verging on childishly jealous and angry that others (like Amber C.) are in the spotlight constantly, having done little new or interesting musically to warrant it. But youth is the attracting ingredient, and perhaps “new and interesting” artfulness is not called-for in today’s “real” world local bar-and-restaurant jungle. Amber’s actual achievement is self-promotion, which she does extraordinarily well and with an endearing goofiness. And she is kind, offering opportunities for others to share her gigs and get some “exposure.” She is also troubled in ways that provoke what little genuine caring and concern I can muster for someone I don’t know very well. But I don’t have much opportunity to show it to her. There’s no room for me in her world. But when I think about my behavior at Amber’s current age (32) I realize I am not a good example. I was trying to finish college at UAH and working part-time, but there were ungovernable episodes of emotional upset and drinking binges and attractions to uninterested persons. I was writing fiction and poetry, even a song or two, but it never occurred to me to energetically pursue any one activity to “get somewhere” with it. I did what I could; I was involved with others in various extra-curricular enterprises (The Exponent, Brick, senior art shows). My goals at that point were in line with “the establishment”: to get my degree and get a job. 

I am appalled when I review what I see as my life-long lack of imagination when it came to BIG life-plan types of things (e.g. my late 1970s’ delusion of becoming a stay-at-home wife-and-mother with alcoholic womanizer Barry), and my need for others to encourage, support, and provide an obvious context for my so-called “creativity” (like the first iteration of Monkeyspeak did). I am not a born “star.” I have been somewhat prolific considering the long years that went by with NO context except for my jobs (hence the accumulation of promotional writings that I keep in a box somewhere). But I have never actively sought more attention as an individual than I got in the normal course of artistic or musical events prior to cell phones, the internet, and social media. Mailing postcards for The Lonesome Lovers was for “us,” not for “me.” 

I could go on and on. Just wanted to get these thoughts down. And when I go to post this, I’ll probably discover that I’ve already written these things over and over. As it was in the Beginning (of this post), I am “trapped in my individual brain with bits and pieces of my own songs [and my own memories] appearing now and then and refusing to leave me alone,” like the elderly cat following me around the house with her endless variety of loud, mournful cries.

Milestones and millstones

As I hack away the remnants of my first experience with COVID, I'm forced to contemplate once again my declining capacities. There wasn't a lot of difference in my activities of the last day or two, and my activities on any given day. I can still cook (I did not do so on the first two days of this illness, though). I did my mild morning exercises eventually except for the balance ones, which seemed too daring for someone in recovery. It's days like this that are not possible to explain to younger people. I maintain my appetite for typing up a storm, as long as I can sit comfortably, but going out and doing things and talking with people? That appetite, never sturdy, may have vanished permanently, just like my sense of smell (I thought, until I detected the spilled fish oil in the pet-food cabinet). 

Russell had it too, and Brian. I seem to have gotten it from Brian.

My post of mid-June is long and accurate and covers a lot of ground. It'll make a great read for me in another year. Now here I am ten weeks later (too soon?) with one nice event and two complaints. A week ago, on Sunday the 18th, Russell and I drove to Clarksville, Tennessee, to pick up the ukulele being made for me by Jonathan Mann: the "Raptor" jazz baritone electric, lacquered a deep green. It plays beautifully, as I'd hoped it would. My fingers slip around less. The action is slightly easier, the tone is fine. Best of all, it's not intimidating, and I almost feel I deserve it. The thing cost me $1,750. I do realize it will not solve my playing problems. I don't practice much, and my aging fingers are not as reliable, especially when I'm playing in public. But it's already proven itself at an online open mic, and it will be a treat to write songs on it.

Russell and I had a fun road trip--I'm not being facetious. We got along, we enjoyed the drive, the visit with the luthier, and a brief spell at a kitschy emporium called "Sweet Charlotte," where I had a terrible taco salad served in a Dorito bag. We even stopped and took pictures of a weird building we spied. It gave me hope for us as a couple. I think what also gives me hope is that we are sharing the burden of having Brian here with the same helpless but hopeful feelings, partial proof that we have a similar world view. Then again, I could be deluded. There are times when I detect the same oblivious male condescension coming from Russell that I experience from Brian, and have known in many other times and places. Condescension and being humored are not as bad as being ignored, however.

I have, for the last day (since I accidentally found out about it), had to consider that I might be suffering from being ignored as a child, which supposedly causes something called "Complex" PTSD. I watched someone's video; I did a meditation. So far, so good. And yet I know that I was decidedly NOT ignored. At times I was micromanaged! It's not exactly psychobabble, but these earnest attempts to categorize What Ails a Person are so clumsy and general. What I think now is that I was ignored at a certain crucial point, around the time Michael was born. I have evidence of ancient feelings of abandonment, one being the overwhelming crying jag I went on when Russell stayed out with Steve Linney late one night early on, maybe the first year we were married. It was an irrational response, and I'd had such responses before, with Bob Brattvet in the 1970s. I sobbed until I choked. It went on for what seemed like hours. (They weren't even at a bar, they were at an all-night coffeeshop.) There was another time a two decades after that when someone I'd been talking with at work acted as if I did not exist once we'd arrived at a cafeteria line and other people were around. My response was one of terror and loss of identity, which I managed to cover up. Again, irrational. (That I felt a tinge of that two weeks ago at an open mic when I looked up and no one was looking my way does not bode well.)

I try to be "normal," but I do lack self-control occasionally, and I have never felt secure within myself. However, I do not come across as insecure; in fact, it's the opposite, unless a person knows my secret triggers, which not even I know! Tell you who does--Felicia. She's turned into a real manipulator. When did this start? Was it when I had some beers and confessed some insecurities to her back in 2017 when she dropped Tomas off for his year at New Century High? But long before that there were times she tried to get my attention, and I never understood, and she was very disappointed in me. Resentment can grow. The collapse of her marriage must have had an effect; she's almost viciously independent now, and full of mockery of women (like me) who are less so.

Along with CPTSD, I found something more applicable: "reactive abuse." That's when someone we apparently have to label "the abuser" provokes a "victim" into lashing out abusively themselves. This has been happening with Felicia and me on Zoom meetings since 2020. The descriptions are uncanny, as if the writer had witnessed me and Felicia interacting. And yet, as with the syndrome discussed above, I know that she is not "the abuser" all the time. We do not have a domestic situation; this is a role she perhaps subconsciously adopts only on Zoom meetings with the other siblings. And I certainly do not consider myself a "victim" except during those moments. It has been painful enough, though, that I talked to a social worker about it in 2022, and was given tips, tricks, and the reminder that I can just STOP talking with her--that I was under no obligation to talk with her EVER AGAIN if I was being attacked, or felt as if I would be.

But the thought of not talking with Felicia, for some reason, makes me almost cry (and I haven't actually cried since my mother's funeral in 2014, and that wasn't about my mother, but about Michael). Maybe I'm a sentimental fool, remembering the good times when we were all in our twenties and thirties. Maybe I don't like the idea of losing the chance to play "big sister" once more, although she's more "worldly" than me at this point. There's nothing I can help her with; she has made it evident that she finds my life's stories pointless and sad, and my "creative" activities incomprehensible.

At least writing all of this down makes me feel less sick at heart, even if I am still slightly sick from COVID.